BANGLE OF FULLNESS Jadeite bangles were worn as accessories when they first appeared in the Neolithic period. Until the Ming and Qing dynasties, China had been importing massive quantities of jadeite from Burma, which quickly drew a favourable reception for its bright, translucent and fine texture, and a hardness that made it comparable to the precious stones. Bangles are classified into ping’an (peace) bangles and guifei (imperial consort) bangles depending on shape. The latter reached the height of their popularity in the Tang dynasty. Before that, most of the bangles available were ping’an bangles, with a rounded shape and cross section as well as a plain, lustrous appearance, without any lines visible on them. Characterised by an aesthetically pleasing design and sophisticated look, these bangles symbolise harmony and completeness, crystalising the yearnings for undying love. Their shape is also in line with the traditional Chinese concept that “heaven is round, and the earth is flat.” Jadeite bangles are hollowed out in the centre and fashioning such jewellery entails high wastage. The original jadeite boulder must be free of cracks, to ensure the bangle’s lasting quality. This is why the crafting process must be undertaken with meticulous care and skill to make the bangle look naturally formed. Due to its shape, a craftsman’s wisdom is put to a severe test in producing a bangle. To be offered is a rich emerald green Jadeite Bangle (Lot 212), exquisitely fine in texture, it is highly translucent and emits a crisp, melodious sound when lightly tapped. A tribute to unparalleled craftsmanship, the bangle’s streamlined, smooth-flowing silhouette complements its elegant look, making it a highly sought-after treasure for jadeite connoisseurs.